Excerpt
A Daylily's blossom
only lasts one day
Binnorie O Binorie O
My grandmother showed me
how to have my say
O the glory O the glory
Now every time I see a faded drooping bud
I deadhead it like she did so the rest can live on
The story O the story
In the Laurels, Caught
In the Laurels, Caught is a collection of lighthearted, deeprooted poems written around the Appalachian region of North Carolina in Madison County. An adventurous, intellectually restless native, Lee Ann Brown writes out of attachment but with the slant of a transplanted outsider. She investigates elements of local language, musicality, material culture, and landscape, using collage, found poetry, and oral history and anecdote.
“In the Laurels, Caught finds Lee Ann Brown in full bloom as a poet. Decades of experimentation, research, teaching, performing, and collaborating have honed her matchless lyric gift into an instrument of extraordinary suppleness, grace, and wry, wise humor. The Tarheel state has rarely been captured with such accuracy, grace, and sophistication.” —Peter Culley
“This book has practically everything: six epigraphs, four sections of poems—concrete, found, lyric, and prose, and even a list of items up for grabs at a garage sale—while across the bottoms of all the pages, in a script typeface, is one long “RIVER CODEX,” which Brown, in her endnotes, tells us “is designed to be read either forwards or backwards.” This book, part almanac, part linguistic scrapbook, “struggle[s] with the anti-essentialists who say we cannot identify Appalachia,” and seems to attempt to do for the contemporary South what Susan Howe’s Singularities did for the colonial North. But here, while some readers may “like to be preoccupied by all the fluttering,” others could become alienated, as the line between avant-garde and all-over-the-place can be a thin one. Meanwhile, Brown’s tendency to reveal her own process and the literal sources of the book’s language adds a self-consciousness to her experiments. “I am sick with love for the poem,” she writes. “In pulling the threads out what is lost// sometimes to unravel is a good thing/ but learn to interweave// variations on an old pattern/ but don’t lose track of the old one/ so you can come back to its lovely form/ for another variation.” —Publishers Weekly
“Fence Books rates kudos and then congratulations and then yowza! for this fantastically beautifully produced book. The paperback opens easy yet is sturdy as a New Directions paperback of old. The publisher collaborates with the author’s vision, the sub-scripts essential to the collaboration. In the Laurels, Caught is a surprise ball of a collection, a gift to unwrap and unravel.” —The Rumpus